Fun On A Sunday, While Awaiting A Bus. . .
Being an olde fan of Dr. Demento (his radio show dominated my Sunday evenings in the early 1980s) as well as philology and general nerdiness, I wanted to share this classic humourous tune.
-BusTard
Being an olde fan of Dr. Demento (his radio show dominated my Sunday evenings in the early 1980s) as well as philology and general nerdiness, I wanted to share this classic humourous tune.
-BusTard
In Naomi Klein's not-so-shocking title titled "The Shock Doctrine: The Rise of Disaster Capitalism," the shock is that it seems shocking.
Indeed, one should be shocked that the rest of the world outside the western world, or at least the U.S., wonders why Milton Friedman's desire for a "state of pure capitalism" is merely a gentleman's way of introducing anarchism. To let the market dictate the ways and means would be one hell of a circus about bread, except that the circus-goers tend to pay whatever price those in power advocating "pure capitalism" desire. And it is these same folk what make such a hue and cry about the abominations of violent dictators who wiggle from out of their capitalist control.
To be sure, I am not advocating the abolition of any western government, nor anarchy of any stripe (anarchy, after all, is based in a responsibility to self; "anarchy" is not possible in a western world where even fat crayons are beyond the comprehension of the middle class) or any fashion of new idiocy.
A daily 99¢ burger at the local fast-food joint is a bargain to none other than junkies; the small bit of change saved for the day will be compounded by the dreadful paucity of quickly diminishing health. Milton, were he still alive, would not hesitate to inform such a fool as what thinks a few dollars a day at the local "fry & die" is done in the name of not spending money for "expensive" food, that the health benefits would be well into the red.
Bon appetit.
-BusTard
Fuck National Punctuation Week!
FUCK, National Punctuation Week!
Fuck national punctuation; weak!
(for fans of phonetics, of course)
Fuck. Natural Punctuation—WHAT?
Being a newspaper copy editor and production artist (the latter being a bloated term meaning that my eyes know the same pain—from strain—that was found in the collective hot-wax-hardened hand of strippers prior to DTP; I know both punishments equally), I tend to get behind on Mondays owing to it being the busiest of the three days during which I am working on the weekly paper at which I work. Worse, my memory tends to be short while my sentences run painfully long. Come Tuesday, I file the fucker The Paper, and tend to that which I failed to do Monday.
Seeing as I failed to formally celebrate National Punctuation Day—one might state that my lack of punctuality is itself never late in exhibiting itself—I am going to get on with it before “hump day” overtakes me. (Or should I eliminate quotation marks —neé double inverted commas—and just call it Hump Day?)
Anyhow.
The cursing having been accommodated (see above), let us now tackle the inevitable dash of pretension as well as some unmitigated idiocy—all in one insipid dollop. Hence my query: “Could it be that punctuation marks are transmogrified serifs? If so, what shape might the subsequent manifestation take? A sub-set of ultra-lower case lettres? Mayhap a malfeasant family of alpha-numeric-puncto marks? What if a whole new alphabet emerges to eliminate the english** language, a new tongue not unlike the mercury-mutated bear in Prophecy or the strange baby in It’s Alive!?! (After all, both monsters were born from past crimes and, like Frankenstein’s monster, reacted with fatal results as well as fatally.)
Then I got hold of myself as well as my crusty olde crystal tumbler and nearly half-empty bottle of cheap-ass blended scotch, enjoyed one last comma and got down to doing some serious drinking.
*Apologies to Bill Walsh, sorta. . . after all, I am unable to find ONE SINGLE GOD-DAMMED NEWS AGENT IN ALL OF LOS ANGELES what sells the Washington Post, except one, and that place only barely counts because it is FUCKING PHOTOCOPIED on ledger-sized, 24-lb paper!!!
**The lower-case “e” in “english” was deliberate, owing to my problem with political boundaries.
The Bus Bench’s roots are in Social Ecology.
The Bus Bench takes a satirical and editorial approach to dealing with the issue of mobility in Los Angeles. The emphasis of The Bus Bench is public transportation, but we also discuss class, race, gender and Downtown Los Angeles.
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RANDALL (BusTard) FLEMING has spent two decades working in most every facet of publishing. A former magazine publisher (Angry Thoreauan, 1987-2001), he has also contributed to a great many books, periodicals and newspapers in Los Angeles and New York: New York Post, Brooklyn Spectator, Discover Hollywood!, Ben Is Dead, Flipside, Los Feliz Ledger, Sabotage in The American Workplace (Pressure Drop Press), Notes From the Underground: Zines and the Politics of Alternative Culture (Verso), and several of the Unreinforced Masonry Studio books about Los Angeles.
Art Gonzo was raised in Los Angeles. He is a visual artist. He has seen a bus. When not at The Bus Bench he is a contributor at LA Eastside.
A Valley-born Los Angeleno, Simon Ganz only recently returned from the liberal enclaves of Northern California where he, to his surprise, found himself more than happy living without a car. Now back in his hometown with only a political science major to show for his journey, he is of course constantly unemployed and hoping to join/start/follow a movement to create better transit for everyone in Los Angeles.
Rogelio Gomez is a public transit rider and an avid cyclist. He blogs at My Daily Ride when he's not sharing his adventures on The Bus Bench.
Sirinya Tritipeskul is a graduate student studying to become a transportation planner at UCLA. She writes on The Bus Bench about living car-free on the Westside. Her own blog, The Valley Girl Planner (in training), is a tribute to her Valley Girl roots and her travels around the Los Angeles area.
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