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    09/05/2009

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    I take the bus from crenshaw/slauson going home every day; one day I was lamenting that it never seems to really be on any kind of predictable schedule to a lady next to me. She replied, "'dat's why dey call it CRENSHAW."

    It made no sense, yet it made so much sense. I think the communities around Crenshaw deserve so much better.

    Wow. Great piece! Most comprehensive I've read to date on the Crenshaw line.

    40 minutes from Expo/Crenshaw to Wilshire/Western? Are you kidding me? That's only 3.5 miles according to Google, 10 minutes by car without traffic (at midnight?), 70 minutes walking. 40 minutes means an average speed of less than 6 miles per hour on "Bus Rapid Transit." Ridiculous. We definitely need to build this as rail. Personally, I wonder if it wouldn't support "heavy rail" levels of service, once the end of the line reaches Hollywood/Highland in a couple decades. I hope they make the platforms extra long at least.

    I think that most people agree that this project should be built as light rail.

    There are concerns with Measure R not bringing in as much tax revenues as they had envisioned due to the economic downturn, but Crenshaw is up there on the list of priority rail segments in my opinion. It's way ahead of the Foothill Extension and the Gold Line to Whittier in my eyes. If it came down to a choice between that crappy BRT extension to Chatsworth or the Crenshaw corridor, it's Crenshaw all the way.

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    • The Bus Bench is published by Browne Molyneux. The editorial consultant is Randall Fleming.

      The Bus Bench’s roots are in Social Ecology.

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    • Browne Molyneux is a freelance journalist. She formerly wrote a transportation column for LA City Beat: Tracks and is a contributor to LA Eastside. She is a feminist and is LA bred. She does not own a motorized vehicle, but she does have a bike.

      RANDALL (BusTard) FLEMING has spent two decades working in most every facet of publishing. A former magazine publisher (Angry Thoreauan, 1987-2001), he has also contributed to a great many books, periodicals and newspapers in Los Angeles and New York: New York Post, Brooklyn Spectator, Discover Hollywood!, Ben Is Dead, Flipside, Los Feliz Ledger, Sabotage in The American Workplace (Pressure Drop Press), Notes From the Underground: Zines and the Politics of Alternative Culture (Verso), and several of the Unreinforced Masonry Studio books about Los Angeles.