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    « Friends of the River my ass. Boyle Heights (via Williamsburg, Brooklyn). 12/27 | Main | How to get banned from a LA blog (or how to destroy LA according to LA blog editors) »

    12/28/2007

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    This was not a disagreement. It was not about Gloria Molina's opinion of someone's art. This was about public art being painted over with no public hearing. If it had been done by someone other than an official, it would have been called vandalism.

    Nor was it a physical threat. It was another act of vandalism which was interpreted as a threat.

    Lots of people say they are going to kill someone when they have no intention of doing so.

    I don't really agree with Avocado. It's a touchy situation. These are semi-anonymous, polarized situations. If there was a conflict between two known parties, and one side wrote a death threat on a wall, you investigate. There's a difference between muttering, "ooh, I'm going to kill her," and writing "kill specific person with whom I have a conflict" on a wall.

    Here's a concrete example. Suppose I was having a fight over a Wal-Mart. I could graffiti "Kill Wal-Mart" on it, and it would mean something. I could write "Kill Lee Scott" (walmart ceo) and it would be another. But supposed I wrote "Kill Joe Smith" and Joe Smith was the general manager of the store. It's a far more concrete threat.

    If Molina quipped about putting someone in jail, people would take that seriously too.

    I'm not sure I agree with myself. I mean the cops certainly needed to investigate, but I also think that if something like that appeared regarding a common citizen, they wouldn't bother. I also think someone should have investigated who buffed the murals in the first place, and why. If it was done by mistake, an apology would have gone at least a little way toward soothing everyone's feelings. If it was done by someone other than Molina, it would have been good to expose that person and punish them in some way. Molina denied having it done herself, but then went on to say how unacceptable the murals were. If she really thought the murals themselves were a danger to society, she should have held some kind of public hearing about it.

    The murals were doing just fine until she interfered with them. They hadn't been tagged over and no one was killing or threatening anyone over them, in spite of what they said in the L.A. Times.

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      RANDALL (BusTard) FLEMING has spent two decades working in most every facet of publishing. A former magazine publisher (Angry Thoreauan, 1987-2001), he has also contributed to a great many books, periodicals and newspapers in Los Angeles and New York: New York Post, Brooklyn Spectator, Discover Hollywood!, Ben Is Dead, Flipside, Los Feliz Ledger, Sabotage in The American Workplace (Pressure Drop Press), Notes From the Underground: Zines and the Politics of Alternative Culture (Verso), and several of the Unreinforced Masonry Studio books about Los Angeles.